A personal diary keeping people abreast of what I am working on writing-wise.

Thursday, May 08, 2008

THE SOUND OF SPEED...should be the sound of silence...



THIS WEEK IN THEATRES...

* Speed Racer, a solid contender for the worst movie of the year. I'm trying to do you a favor here. Seriously, go in the opposite direction. Just see Iron Man again.


THIS WEEK IN DVD REVIEWS...

* Le Gai Savoir, Jean-Luc Godard's redefining of 1969 cinema as he knew it.

Current Soundtrack: Pet Shop Boys, Kirsty MacColl

Current Mood: i mean it
EVERYTHING'S GONE ELLERBY

Insert your own emo joke here.

No, seriously, some neat Ellerby internet appearances today.

Adam Cadwell, whose "The Everyday" strip is worth adding to your feed, drew a picture of himself and Marc that can be seen here. They will both be attending the Bristol International Comic Expo this weekend, so if you live in their general vicinity (you know, England and thereabouts), you should go make them feel like rockstars. And by that, I mean walk up to them, buy some comics, and then ask, "Are you guys in Weezer? You look like you're in Weezer."

What will you see if you go see little Marc? Forbidden Planet has a complete rundown of Marc's minis. (No, that's not a euphemism.)

I'm not going to Emerald City in Seattle this weekend. Blame Corey Lewis. He and I are in a feud, and last time I saw him Brandon Graham ended up swollen in some strange places as a result of trying to keep us apart. Oni had to make a choice as to who could represent in our city to the North, and I lost.

I will, however, be making a late appearance as an audience member at the Bryan Lee O'Malley and Hope Larson signing tonight at Cosmic Monkey.



Thursday, May 8th
6-8 PM
COSMIC MONKEY COMICS
5335 NE Sandy Blvd
Portland OR

Find me, shake my hand, and say, "You, sir, are no Scott Pilgrim."

Current Soundtrack: Depeche Mode vs. Son House, Christina Aguilera, The Tears

Current Mood: getting ready

Wednesday, May 07, 2008

NOW ON SALE:

Madman Atomic Comics #8 by Mike Allred, published by Image Comics. The beginning of the second story of the series.



Gatcha Gacha vol. 7 by Yutaka Tachibana, English adaptation by yours truly.



CURRENT WORKLOAD: Hissing vol. 6 by Eun-Young Kang

Current Soundtrack: Neil Diamond, The Greatest Hits 1966-1992 (Disc 1)

Current Mood: crazy

Tuesday, May 06, 2008

VICTOR, FLY ME TO DALLAS



This past weekend was my second year in a row to attend CAPE in Dallas, Texas, and I can wholeheartedly recommend that any comic book creators lucky enough to be invited out by Zeus Comics and Games should sign on for next year's event without a second thought. It's a great show, lots of fun, run by good people, and best of all, profitable.

Joëlle Jones and I flew into Dallas on Friday morning. We were met at the airport by Ian Shaughnessy, who lives in Arlington, and Chynna Clugston and her husband, who had flown in from San Diego. It was a Strangetown reunion of sorts--Chynna and Ian are the co-creators, I am to write text pieces for the eventual book--as well as a kind of old school Oni Press reunion. This was to be our core unit for the gathering, which, given our proclivities and senses of humor, is kind of a dangerous proposition. Not as dangerous as Ian driving. He got lost multiple times trying to find his own home, or anywhere else for that matter. Most distressing was his habit of turning to us and asking if we knew where we were. The fact that we were all four out-of-towners never seemed to register.

Friday night was the annual Live Art show that Zeus puts on to benefit local charities. Many of the guests were already there and hard at work when we arrived. As a DJ played in the back and a crowd of fans watched, artists like David Mack, Mike Huddleston, Jim Mahfood, Scott Kurtz, David Crosland, Jason Pearson, Lea Hernandez, and Kristian Donaldson created original drawings on large pieces of paper hung on easels. We attended this event last year, and Joëlle did an awesome piece that I was not able to win in the final bidding--an experience that we can now call a tradition.


More here.



At one point in the night, I had an encounter with a besotted writer who I had met back in 2004 at a college event. He is a professional of some reputation (read that as you will), and I engaged him in conversation to try to get him to leave poor Kristian alone. This writer seemed to miss the point that Krtistian was drawing Batman for a charity auction and did not need to be art directed into making a masterpiece that would reinvent the whole of the comic book art form. I was actually kind of surprised that the writer remembered my name, but despite knowing my name, I am not sure he actually knew who I was. Five minutes into conversing, he says to me, "Well, all I know is that Brian is really happy with what you do with his scripts."

I have no idea what that means. Brian who? And what exactly am I doing with those scripts? I did not ask, I just nodded. Maybe he was mixing together myself and Kristian, who works with Brian Wood?

Joëlle had it much better. I found her talking to a guy over in the smoker's corner, and when he heard us talking about her taking her turn at an easel, he said, "Wait? You draw? What's you name?" She said it was Joëlle, and his eyes lit up. "You're Joëlle Jones? I came here to see you!" Once again, Fables fans prove themselves to be of an exceptional quality. He had seen her one-pager in the comic last year and wanted to meet her. What luck he had in just randomly talking to her!

(To be fair, Ian did introduce me to a woman named Rebecca, whom had been a retailer at his former store, and she jumped up and down and squealed when we met. That, in itself, is both strange and flattering.)

My artwork for the night was done in the bathroom above the toilet. On a piece of cardboard framed there, I wrote "Ian Shaughnessy has Speckled Eggs." It's an inside joke, referring to the amount of freckles Ian has and speculation that he may, perhaps, have them all over. Apparently someone got the joke, as the response graffiti that appeared before the night was through was, "Gross, dude. TMI." I am not sure which made Ian more mad.





Saturday morning came up fast and we had to be at the park for the show before it began at 10 a.m. It was a nice day, and the organizers set us all up at tables under giant open tents. This was meant to protect us from the weather, but as it turns out, the shade and the wind together made being under the canopy extremely cold. We had all dressed for a sunny day, and eventually we had to move our tables forward into the light to keep warm. The downside of that was no one had thought to bring sunblock since we were supposed to be covered, and a large number of us pasty comic book types got sunburnt. Both of my arms are bright red, as is my giant forehead. My whole scalp, actually, is burnt, and it hurts to brush my hair. Raising my eyebrows sends pain shooting over my face. Look at pictures of me on Saturday night, and I appear to be irradiated.

11 a.m. I was on a panel for writers alongside heavy hitters Gail Simone, Mark Waid, and Marc Andreyko. I was the lone indie guy, dressed in black, brooding. The discussion was moderated by David Hopkins and it went pretty well, though I felt like I rambled a lot. I was surprised to hear, though, how similar all of our working processes were, and I could occasionally speak to the slightly different experience of being a novelist. (Though, to read the Newsarama blog report, I said nothing of interest at all! I told Waid how much I liked 52 before Andreyko did!) Lucky for me, too, most of the questions from the audience were ones I could not answer, since they mainly referred to the superhero stuff written by the other panelists.

The rest of the day was spent at the table signing books and chatting. I think we did about half the business we did last year (with the most popular item being, not surprisingly, 12 Reasons Why I Love Her, since we were both there), but the stock was essentially the same, and I think that was balanced out by the number of people who arrived with books they had bought outside of the show, which was definitely up from last year. The event itself was definitely bigger, with the only noticeable dip being in there not being as many costumes as 2007 (though several little kids showed up wearing adorable outfits). I met a lot of readers, but want to especially mention Greg the TCS fan and Travis, because they are the two whose names I messed up shortly after them telling me. I swore I'd remember, and look, I did!



I did a FCBD promotion and sold my last copies of Love the Way You Love vol. 1 for $1 to get people to buy it, and when those ran out, switched to vol. 2. This worked pretty well. One couple, who had been brought over by the aforementioned Rebecca, picked up a vol. 1 and the wife, who was not a big comic book reader, apparently sat down in the grass to read it and immediately sent her husband over to buy Side A. Joëlle also did many sketches and even sold a page. (Keep your eye on her blog for some of the work she did there.)

The day ended at 6:00, and we met up with a large group later to have dinner and detox. The sunburns and other ailments were overtaking us by then, though, and so the night did not go on as long as the previous one. I was glad we were able to sit with Barry from Zeus, however, and have an extended chat with him.



We flew back Sunday, and I slept most of the day and have been playing catch-up today. (Blame Mike Allred for the delay in this report. He sent the design pages for the first Madman Atomic Comics trade collection for my perusal, and also asked me to write the intro. Plus, I have Daring Students' Association to proofread.) Special thanks again to all involved, and especially Richard and Chris for being such great show hosts and Martin and Ian for giving us a place to stay. I hope to do it again next year. (And maybe we can bring Tally and Allred...?)

* See my full Flickr photoset here.

* * Joëlle still has copies of her new sketchbook made for the show available. If you're interested, please drop me a line. It's mainly new pages, but a few of them are the same, as is the cover. They are $5 plus $2 for postage. And remember, check her blog for art updates.

Current Soundtrack: Martina Topley Bird, The Blue God

Current Mood: geeky

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Friday, May 02, 2008

TAKE ME TO THE RIOT

GO LOOK! How writers are born.

GO READ! Joseph Andrew on why we should rally behind Obama. This is essential reading. I found it very eye opening. I didn't really understand what could be wrong with seeing the Primary process all the way through to the end, but here one "super delegate" makes a good case for getting on with the show.

STAY AND LOOK! Tally doing her thing...




Well, kids, I'm off to see if they really truly only have one star...



CAPE 2008!

Current Soundtrack: Dexy's Midnight Runners, Yeah Yeah Yeahs, Pet Shop Boys, Christina Aguilera

Current Mood: exhausted

Thursday, May 01, 2008

METAL HEART



THIS WEEK IN THEATRES...

* Iron Man, a successful bigscreen adaptation of a Marvel Comic, with Robert Downey, Jr. perfectly cast as the Scotch loving billionaire with a heart of some kind of weird blue electricity and an exterior shell of gold (and red).

* Redbelt, the mildly disappointing mixed martial arts movie from David Mamet.

THIS WEEK IN DVD REVIEWS...

* The Lovers - Criterion Collection, the film that made Jeanne Moreau a star and challenged the notion of obscenity in the process. (Also at Criterion Confessions.)

Current Soundtrack: The Long Blondes, Couples

Current Mood: exanimate

Wednesday, April 30, 2008

ROBOPOCALYPSE PLEASE

Hey, Portlanders! The Rocopocalypse Comics Collective is having an art show this Thursday, May 1, as the First Thursday show at Tender Loving Empire.

You should come by and check it out.



I know a couple of the artists in the group, and I picked up their new anthology minicomic at Stumptown over the weekend. It's all stories themed around the name of their group. It's a lot of fun, and shows all of the artists are really developing. It's not available yet on their site, but I am sure they will have it at the gallery--especially since some of the art on the promo image is from the mini.

Also check out their release by BT Livermore, The Life and Times of Baby Otto Zeppelin.

Current Soundtrack: Dino 5, Kaiser Chiefs, Jamie T, Sam Cooke

Current Mood: drained

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Monday, April 28, 2008

YOU SAY PARTY! I SAY SLEEP!

I'll admit. I'm spoiled by living in a comic book town. "Oh, another Stumptown? Sure. I guess I'll show up for an hour or two."


All photos taken from the Stumptown 2008 Pool on Flickr



Which I did. And it looks like the show is only getting bigger and better. I know a lot of the folks who have gotten involved with the programming and were part of the move from fall to spring, and it looked like it was an idea that paid off. Good weather, good crowds, and lots of excellent guests. As I said before, I skipped this time just because I was feeling overexposed in my place of residence, and felt it was good to take a break while I wait for new material to come out. Still, I wasn't going to pass up doing some browsing, shaking hands, and kissing babies.

The weekend actually started on Thursday. The Get Graphic! event in support of comics in libraries went very well, with speeches from Charles Brownstein of the CBLDF and Douglas Wolk, and a raffle in which I won copies of the books I had donated. Ooops! I gave the books to one of the librarians and divvied up the add-ons. I had really wanted to win the 12 Reasons Why I Love Her art Joëlle Jones had donated, which was easily the best prize of the evening (only one cartoonist gave art? for shame!), but it was not to be. It did go to a good home, though.

That night shifted from the event to a bar and then to Oni publisher Joe Nozemack's house. I learned at least one new lesson that evening: if you're out with Farel Dalrymple, make sure you map out the spill zone in proximity to where you are sitting in regards to him. Otherwise you end up with a Singapore Sling up your sleeve--and not in the sneaky "Have I got a trick for you!" sense of being up your sleeve.

Thursday ended relatively early in comparison to Friday. A small private gathering with lots of cartoonists and local publishing folk spilled over to Guapo Comics for their annual event. I got to meet and/or say hi to Craig Thompson, Lark Pien, Derek Kirk Kim, Landry Walker, Jason Shiga, Shannon Wheeler, and a variety of the Oni, Dark Horse, and Top Shelf crews. In fact, there are probably some people at Dark Horse who are annoyed with me this morning as I'm sure the tales I told out of school trickled back to them now that the work week has begun. I left their employ in 1998, and I carry with me plenty of anecdotes about the old days that the newer employees always love to hear. "Hey, did you hear about the time me and your supervisor went to a Spice Girls concert? And his mom picked us up in her car?"

Getting home at 4:30 that morning was not the best way to transition into the real show. I had promised my friend Mason I'd meet him at around 11:00 so he could have my extra pass, and I was the worse for wear, I must say. I carried on conversations, but in the sense an ant carries a bread crumb that is five times his size--it didn't come without some effort. This is part of why I only lasted a couple of hours, but it also comes down to the fact that I just don't know what to do with myself at comic book shows anymore. I'm not that compelled to go to most industry panels, and the socializing is usually better afterwards than on the con floor. On the floor, to talk to someone who is exhibiting, you generally have to block their customer path. It can be good, because it makes it look like there is interest and shoppers tend to follow one another, thinking if someone else likes it, maybe there is something good over there. Yet, you don't want to be that guy who keeps standing there and doesn't go away and doesn't move for the real business to take place.


Yes, that's Jeff Parker in wig and glasses hosting the Art Battle.



I do like to look at stuff, but I tend not to spend much money, and I feel tremendously guilty looking and then moving on. I think it comes from knowing the really weird, unintentional ways shoppers at conventions can say "no" without saying no. You'd be surprised how disheartening it can be when someone looks at your book, makes a sour face, and then bails.

So, what with trying to avoid spending a lot of money, and also not wanting to be a jerk, I was being careful to browse from afar, zoom in when I felt interested If I were more egotastic, I'm sure I could maybe try to trade on my name, but that's not right. Even if the people hawking the books know who I am for whatever reason, I'm not an editor anymore.

By 2:30, I was home with a handful of acquisitions, most of which I haven't broken into yet. I did read the minicomic Stuffed Afterlife by Angela Melick (http://www.spikecomix.com). Done as part of last October's 24-Hour Comic Book Day, Stuffed Afterlife is the sweet tale of a stuffed toy cat who has lived with the same owner on through childhood and into adulthood. The cat, Dotty, is attacked by her owner's dog, and when her stuffing is torn out, she finds herself in stuffed animal heaven. There she is told that she carries a piece of her owner's soul with her, and if she can solve the riddle of what ails this person, she can be restored. What follows is a Wizard of Oz-style journey where Dotty and several other lost toys searching for the missing questions that plague their beloved humans.



The comic has a surprisingly effective emotional core. It's not a very complicated story, but it manages to hit the buttons Melick is searching for. The art has its ups and downs, but I'm surprised to find that, as a cartoonist, Melick shows more sophistication in her storytelling than she does in the actual draftsmanship. Young artists so often focus first on style and let the building blocks of story only come after. Not true here. My complaint would be that the stuffed animal characters show more personality and artistic confidence than the human beings and the backgrounds, which is also strangely backwards. The less real it is, the more real it feels.

Saturday night, after a nap, I went to the Comic Art Battle at Cosmic Monkey. I can't believe it was my first time at their Sandy location. The store is huge! Check out the Monkey gallery on their site. They have all of them on the wall, too, including ones not online. They have a Joëlle original that actually has the monkey saying a line of dialogue I wrote. I want a scan of that!

The event was also very well attended. Even Brian Bendis was there, very graciously allowing fans to corner him and talk about Skrulls. I didn't see much of the battle, it was a little loud inside the store, but from my understanding, regardless of what Corey Lewis was challenged to draw, he drew Teenage Mutant Ninja Turtles. Can I get a chorus of, "Oh, Corey"?



Sunday I stayed home and worked on some stuff I had deadlines for. I needed to get ahead on Daring Students' Association vol. 2 before heading to Dallas this weekend, and Mike Allred was also sending pages from Madman Atomic Comics #9 throughout the day. The goal was to turn it into Image today, and so we were putting everything into making that happen. You guys are in for a real treat. It's another issue where Mike will make you entirely rethink what is possible in a stapled, printed comic book.

Current Soundtrack: Ennio Morricone, Underworld, My Little Airport, Sister Vanilla, White Rabbits, Cardigans

Current Mood: heh

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Thursday, April 24, 2008

TIM, DO YOU REALLY WANNA MAKE A FILM?



THIS WEEK IN THEATRES...

* Baby Mama, the Tina Fey/Amy Poehler vehicle is good, but not as good as we want it to be. Someone forgot to remind me about that "awwwww" factor they always have to have in baby movies.

* My Blueberry Nights, Wong Kar-Wai's first English-language film gets overanalyzed yet again.

Really, it's the week for movies that aren't bad but aren't exactly what they could have been, either.

THIS WEEK IN DVD REVIEWS...

* The Delirious Fictions of William Klein - Eclipse Series 9, which is the surprise of the spring. Three absolutely crazy movies that you really must check out. If nothing else, get your hands on Who Are You, Polly Maggoo? (Also at Criterion Confessions.)

* The Diving Bell and the Butterfly, one of the best movies of last year. A tremendous achievement by Julian Schnabel.

Current Soundtrack: The Walker Brothers, After the Lights Go Out: The Best of 1965-1967


Current Mood: whatever
SNOWBALL IN NEGATIVE

I read the "Chance Meeting" ads, and have done so off and on since way back when I did that "Chance Meetings" comic strip for the Oni Press website. Part of it is I'm just curious to see some of the stories, and you never know, one might be useful one day for a story of my own.

I'll admit, too, I'm like everyone else. Who doesn't read them without at least a tiny little twinge of, "Maybe I'll see myself in there"?* Once there was an ad for one of the other employees at Trilogy Video and the other boys who worked there saw it, and we were mad. So much so, we never told the guy who it was for that he was in the paper. I have no idea if he ever saw it.

That's pretty messed up, I'm not going to pretend. It could have been the love of his life, he could be married with kids by now. Then again, knowing him, I doubt it. Plus, given that I was stopped at the local grocery yesterday by a former customer and she asked me, "Whatever happened that that other guy, the one all of us ladies liked to talk to," karma bites me on the ass again.

As messed up as that is, though, I think it's beat by what I saw in yesterday's Willamette Week.

For a couple of weeks now, they have been running this ad:

Fred Meyer, potting soil :)

Hey - Thanks for letting me go ahead of you. I had already decided to ask you out before I left the line, but by the time I doubled back, you were gone. This must be reconciled. If you respond, I'll invite you to meet up for a walk, let you know that I think you're cute, and insist, semi-awkwardly, that I reimburse you for bothering to respond to this ad!



Sure, he likely isn't doing himself any favors by being so nervous about it. If you're going to make up for chickening out in real life, then you might as well be gutsy when the face-to-face is off the decks. Still, not bad, kind of sweet, no reason to hate.

Yesterday, he got his response:

Good soil?

I may be the woman you're writing to if you mean the SE Freddies on Hawthorne. If so, you're probably far younger than I. You were cute; I was tired. Most likely you're seeking someone else."



Yeowch! He's getting the "I'm too old for you, you don't want me" turndown! I've gotten that before, and let me tell you something, even if it's meant to "let him down easy," it's a pretty annoying way to be refused. Even if it's true, it sounds like a cop-out, a bullshit "It's not you, it's me" line.**

In this case, though, if you're not interested, why respond at all? The beauty of taking a chance on a Chance Meeting ad is the person placing the ad never knows for sure that the person they seek ever saw the listing. No response doesn't mean you failed, it just means fate is not going to intervene this time and you can walk away maintaining the positive fantasy of what might have been. Not so for Mr. Potting Soil! Because the object of his desire had to be cruel and smack him down in public, turning his hopeful Prince Charming mission into a rejection.

Sorry, buddy, you mistook the Wicked Stepmother for Cinderella.



* Please, no one now go and put an ad in one of the Portland papers for me that says, "Hey, look, you finally made it!" It's a nice thought, but it wouldn't be the same thing, now, would it?

** I do realize that there is a reading of the woman's response that suggests she is equally as nervous as the man, and that she is not saying no, but instead refusing to believe it's her. My first reaction was that she was giving him the brush-off, and I am sticking to that.

Current Soundtrack: The Roots, Rising Down

Current Mood: nauseated

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Wednesday, April 23, 2008

MORE NEWS FROM NOWHERE

* Marc Ellerby has restarted his "Ellerbisms" comic strip, which sounds kind of like an explosion that happens in your brain, probably brought on by listening to a bunch of crunchy music full of barking. You can read it at his site, MarcEllerby.com, where he has also leaked the following cover images from the inevitable Side B collection of Love the Way You Love. Preorder it off Amazon, if you so desire, or expect it in the August Diamond catalogue.





* I am running three eBay auctions for Joëlle Jones, and you can check them out on my seller's page. It includes a Gen13 drawing and two pages from 12 Reasons Why I Love Her. Scoot over to her blog for an updated price list for her pages and commissions.

* The Stumptown Comics Festival is this weekend, and though I am not setting up, I am sure I will be wandering around at least on Saturday. In anticipation of that, Joëlle and I will be attending the Get Graphic benefit on Thursday. I've donated a complete signed set of Love the Way You Love to the auction, and Joëlle has given them a 12 Reasons page, so come down to buy. (It's the last page of reason 5, and I may feel compelled to bid on it myself. It's a nice one!)

* Free Comic Book Day is May 3, and we will be officially attending CAPE 4 in Dallas, Texas. Other guests include Chynna Clugston, Ian Shaughnessy, Jason Pearson, Gail Simone, David Mack, and many more. We'll have our books, and Joëlle will be doing sketches. Contact me if you want to try to get an advance booking for one of her drawings.


Current Soundtrack: Nick Cave & the Bad Seeds, Dig!!! Lazarus Dig!!!; various New Order tracks I have on my computer


Current Mood: focused

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Tuesday, April 22, 2008

OUR LOVE TO ADMIRE

Johanna Draper Carlson wrote a splendiferous review of 12 Reasons Why I Love Her over at Comics Worth Reading. You should follow the link and read it. It's one of those amazing write-ups that any creative person could hope for. Like Colleen Mondor's review of Have You Seen the Horizon Lately? for Bookslut, this assessment of 12 Reasons hits all the right points, and validates for me, as a writer, that I did my job right--because if even one person can suss it out, that means I've given my readers all of the information they require to see what I am trying to say.

Here's a taste:

"Joëlle Jones makes her debut in stunning fashion. Her style impressively changes to match the mood of each piece. And that’s necessary, because Jamie Rich’s script relies on her art — he’s comfortable letting the images tell the story when needed. The reader gets to see the leads interact instead of being told what they’re thinking and feeling. That’s still obvious, though, through the well-drawn gestures and attitudes of the two. And they’re both cute. He’s got a Dean Cain-ish charm, with glasses and a great smile, while her punch of her gorgeous body is lightened by a sprinkling of freckles across her nose."

Ellerby sent me the link and it was waiting for me when I got home from a meeting with Gretchen Stelter, my agent, and that went very well, too. You haven't heard the last from me, world!

Completely unrelated, the new Madonna album, Hard Candy, has started circulating, and as a longtime Madonna fan, I'm embarrassed for her. The tracks are all produced by Timbaland and Justin Timberlake or Pharrell Williams, and they all sound like songs by those people with Madonna singing on top. It doesn't have any of her personality, but instead sounds like the record made by some young nobody who has been handed to hotshot producers. Isn't Madonna a little too far in her career to be pushed around in the studio? Or did she just check out and let them do the work? As Ian Shaughnessy said to me, they should have just called it Justified 2. There is even a song called "Spanish Lesson" that is like a half-finished sequel to J.T.'s "Senorita." The album sounds several years out of date and wholly generic.

It's a weird world when instead of Gwen Stefani wanting to be Madonna, Madonna wants to be Gwen Stefani. And she's failing.

Current Soundtrack: Barry Adamson, Back to the Cat

Current Mood: elated

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich

Sunday, April 20, 2008

AN AUDIENCE WITH THE POPE

Paul Pope is contributing the cover to Popgun, vol. 2.



To refresh your memory, Joëlle Jones and I have a ten-page story called "Reverberation (Doubt)" in the book (colored by Keith Wood). Joëlle has the first page on her blog.

Saturday, April 19, 2008

HAPPINESS IS A WORN PUN



THIS WEEK IN DVD REVIEWS...

* Bernard & Doris, Bob Balaban's underfed biopic of billionairess Doris Duke and her butler. Starring Susan Sarandon and Ralph Fiennes.

* Dam Street, a Chinese film, directed by Li Yu, showing the stigma and long-lasting effects of Communism's strict moral code in the 1980s/90s on a teenage girl who becomes pregnant.

* The Pied Piper of Hützovina, a documentary on Gogolo Bordello's Eugene Hutz returning to the Ukraine.

* Silent Ozu: Three Family Comedies - Eclipse Series 10, a boxed set showing the Japanese director's formative years. (Also at Criterion Confessions.)

* Starting Out in the Evening, in which Frank Langella gives a tremendous performance as a writer at the tail end of his career and facing the outer edges of obscurity.

UPDATED TO CRITERION CONFESSIONS...

This week's reviews written specifically for the site are:

* Le Bonheur, another from 4 X Agnès Varda, this time a colorful satire showing one life too well lived.

* Death of a Cyclist, Juan Antonio Bardem's Spanish classic mixing Hollywood suspense with political discourse.

* Paddle to the Sea, a highly regarded children's short about the journey of a wooden boat from the Canadian mountains to the Atlantic Ocean.



Current Soundtrack: Chemical Brothers, We are the Night

Current Mood: ditzy

e-mail = golightly at confessions123.com * Criterion Confessions * Live Journal Syndication * My Corporate-Owned Space * ComicSpace * Last FM * GoodReads * The Blog Roll * DVDTalk reviews * My Books On Amazon

All text (c) 2008 Jamie S. Rich