LISTING INFORMATION:
WHO: Emi Lenox
WHAT: Emitown book release and art exhibit
WHEN: Thursday, Jan. 6th, 6-10pm
WHERE: Floating World Comics
20 NW 5th Ave #101
Portland, OR 97209
(503)241-0227
Artwork on display until Jan. 31st.
"But I hate all that fucking listing of greatest films/greatest albums; Nick Hornby really has let the male species down. I’m a fucking man; I don’t go around making lists. A list is something you take to the supermarket." - Luke Haines
* SCOTT PILGRIM VS. THE WORLD
Much of the best cinema of 2010 was about nerds triumphant, and though I can count myself amongst their geeky numbers, Scott Pilgrim was about nerds so different from me, it was almost like watching a Natural Geographic documentary. Fun, witty, stylish, and emotionally honest--Edgar Wright’s adaptation of the Byran Lee O’Malley comic was more movie than all other movies this year combined.
* BLACK SWAN
In my DVDTalk.com review, I suggested The Black Swan was The Red Shoes as directed by Roman Polanski. It’s also a little Hitchcock by way of the Dardennes. Darren Aronofsky manages to synthesize whatever influences he began with into something singularly his own: a gonzo metaphor for artistic obsession, and I’m a little obsessed with how it all turned out.
* MOTHER
Korean filmmaker Bong Joon-Ho never steps in the same cinematic river twice, and though his latest has some genre similarities to his breakthrough Memories of Murder, his choice to follow the mom of the accused killer rather than the cops makes for an unexpected, suspenseful drama. Kim Hye-Ja’s lead performance should be in the top actress category at every awards show in the coming months. Should be, but likely won’t.
"Building to a stark and bizarre conclusion, the team of Rich (Buffy the Vampire Slayer: Food Chain) and Jones (Fables) have clearly learned from the noir genre, both filmic and pulp based, and have crafted a riveting successor.
Tense and intriguing from start to finish, this is a solid piece of detective fiction coupled with a wholly appropriate and stark visual style that evokes the bygone days of Sam Spade and Mike Hammer."
"You Have Killed Me by Jamie Rich and Joelle Jones is like a classic noir movie in comic form. This book hits all the right notes in creating a great overall atmosphere. From the cold noir opening with our confused and bloodied protagonist ,on through the jazz clubs, back-room poker games, and fringes of high society, it exudes a high comfort level and provides a great setting to tell the story. Joelle Jones’s art eschews the blocky thrust of Frank Miller–inspired crime art and comes away with an elegance of style. She also places the characters in a prominent place so they aren’t overshadowed by stylized flourishes. The art is, quite frankly, so damn good here that she has set the benchmark for all future crime artists to beat."
hits bookshops this week--Amazon says it's in stock--so I am guessing comic book stores next week?
. Talk about an awesome gig. I got every Concrete book for free and was given money to read them. All I had to do was put the stories in order. Yeesh, way to put me through the sweatshop. "As for favorite titles, my mind rushes back to my childhood, which seems irrelevant. We’re in such a rich period at present, everything we could have dreamed of for our medium during the dark days of the seventies, when it seemed to be a dying ghetto. Right now I’m reading Jamie Rich and Joelle Jones’ graphic novel You Have Killed Me, and enjoying it quite a bit. And speaking of Shane White, everyone should read his autobiographical book, North Country."
DD: Where in Portland/ Oregon would you most like to visit?
Well, there's this girl and I watch her apartment from the bushes across the street...and one day, I hope to go inside.
KIDDING!
and his own hilarious The Complete Plays of William Shakespeare (each Shakespeare play retold as a two-panel cartoon!), has drawn a great version of Audrey Hepburn from Funny Face.
"The first thing to pop into mind when this subject came up was a fairly recent example. I am a big fan of Pixu by Gabriel Ba, Fabio Moon, Vasilis Lolos, and Becky Cloonan, and I was particularly taken aback when I first read the self-published issues by one of Becky’s sequences. In chapter two, Omar returns home and something feels weird. Claire is acting strange. She made him some soup, and when he sits down to eat it, he notices something gross–a fingernail–in the broth. Then there is another, and another, and one in his mouth. It’s such a simple thing but the way Becky shows it, first by letting us see some nails on his spoon, then one between his fingers, and then finally spitting it out–it’s so visceral, I feel a tickle at the back of my throat just thinking about it. Over a few panels, she effectively creates an unforgettable moment, one that extends beyond the page and causes an honest-to-goodness physical reaction. It creeped me out so much, I had to send Ms. Cloonan an e-mail to thank her for disturbing me. The whole of Pixu is fantastic, but that’s the moment that really nailed it for me–no pun intended!"
as one of their books for October, and so I provided them with a special thank you/intro piece, discussing the rarely disclosed secret origin of the book."It all seems so simple now, I can barely believe it. It was a Saturday night, I think in 2003, and I was bored and trying to think of a side project to write during breaks from my second novel, The Everlasting. I am a big fan of good romantic movies, particularly Hollywood classics with Cary Grant or the Katharine Hepburn and Spencer Tracy pairings, and I started to think about the modern equivalent. If it were possible to write a movie like The Apartment or Two for the Road now, how would I do it? I don’t know if I was conscious of the Two for the Road connection at that very moment, but Stanley Donen’s 1966 masterpiece would end up being a real inspiration for what I was about to cook up. In it, Audrey Hepburn and Albert Finney play a married couple who are heading for the rocks, and by criss-crossing several narrative timelines at once, Donen lets us compare and contrast and see how they got from very young love to very old love by drawing ingenious parallels between the jumbled stages of their life together."
Especially if there is a grammar portion to this test.
