A personal diary keeping people abreast of what I am working on writing-wise.

Saturday, October 06, 2012

WRITING DOODLE: THIS JOKE SPORT SEVERED


The "Daily Doodle" concept is intended to warm up my creative engines, and is essentially free writing, poetry or prose, usually accomplished in under an hour with a minimum of corrections. From time to time, I will post the results here.

In some cases, the piece will also be a special commission, prompted by a particular buyer. Readers can still custom order their own quick short-short stories: details here.


Today's piece was based off of two suggestions offered on Twitter: the word "parody" and the photo below.

*





When he was 15, this would have been considered "the dream." Back then, he could maybe afford to buy an album a week, and maybe some blank cassettes so he could trade with his friends and get more music. It was always a difficult selection process. What tape would he shell out his cash for? He was still on allowance, so he had to make that money stretch. He had to pay for movies and food if he wanted to go out with anyone but his dad. Back then, he knew each record he owned backwards and forwards. You listened to them a lot when they were all you had. He imagined a day where he could make enough money to buy whatever music he wanted.

Now he was past 40 and it was time to move house, and the dream had become a nightmare. There he sat amongst piles of CDs, taken from his shelving and stacked on the floor, on their way to boxes. He had a couple of thousand now. If he did the math, averaging each disc as an hour, it would take him 5,000 days to play them all back to back. That was no joke. The next thirteen years of his life.

And this move would probably take at least as many off of his actual lifespan. What a load of junk he had. Even in the last few years when his friends were all going digital and making fun of him for still buying CDs, he didn't listen. He knew at least one guy who had a hard drive crash and lost all his tunes, and he didn't feel so smart now. For the sake of argument, had he wanted to rip all of these discs to a hard drive, forgetting the sheer memory it might require, if he averaged 10 minutes per disc ripping them to mp3, he was looking at 833 days of sitting at the computer, taking one disc out, putting the next one in.

The sheer amount of memory that would require. He'd always believed that cliché that the music he owned provided the soundtrack of his life. Oh, how he'd marveled at the scene in High Fidelity when John Cusack reorganized his vinyl by chronological order of when he had acquired it! Beyond drooling over what looked like a mint copy of Before and After Science that lingered in every shot, he had imagined doing that himself one day. Looking at the stack now, he didn't remember getting the first Velvet Underground on compact disc, but he did remember finding the cassette of it on the ground in high school. It still played, and he thought the music sounded really weird at first, but he recognized "Heroin" from being in The Doors. He bought The Queen is Dead around the same time, it was actually the last Smiths album he'd gotten, and he lay in his room and listened to "I Know It's Over" in the dark, pining for a girl who never gave him the time of day. "It never really began, but it my heart it was so real..."

Top of the next stack was that first Raconteurs album, which he really liked, but he couldn't come up with any remote recollection of when he'd bought it. The purchase had been meaningless. He probably bought it online. And that Yo La Tengo, it was a gift. He didn't even like Yo La Tengo, but that's how bad his habit was. He wasn't going to sell it, a friend gave it to him. (Plus, he could always change his mind, you never know.) How many records in this stack were equally as uneventful? How deep would he have to dig to find one that he had forgotten he owned?

And what about this Ian McCulloch record? He had gotten it in the mail just this morning. Would he listen to it years from now and remember sitting here realizing that he'd become a joke? For decades now, no one had bothered to tell him that Rob Gordon was not the kind of guy you wanted to identify with or emulate. He had become the kind of sad obsessive they made fun of in alternative weeklies and on snooty music websites. Hell, he had become the sort of geezer he made fun of at concerts when he was fifteen years younger. "If I ever get that old, I hope I have the good graces to die. Or at least stay at home," he had sneered.

Dutifully, he lifted the stacks of discs, bit by bit, and put them in the cardboard boxes, careful to maintain the order--alphabetical by band, each band's discography chronological by release--not wanting to have to put them back together later. Stack by stack, disc by disc, his face reflected in the plastic jewel case of each and every one, a frowning facsimile of the 15 year old boy who scrimped and saved and who, if he could walk through the door now, would think he had found the coolest place on earth. 

Current Soundtrack: Ian McCulloch, Pro Patria Mori <--- that part, at least, was true :)


All text (c) 2012 Jamie S. Rich

Friday, October 05, 2012

VIRTUAL CON: Special Weekend Sale on Sketches and Books, 10/13-14


A note from Jamie S. Rich, from the Joëlle Jones art blog...

Since we won’t be going to New York Comic Con, Joëlle and I have decided to run a “virtual convention” here at home. The idea came to us when we had tell people who had contacted us about booking commissions that we would were going to have to cancel.

So, for the weekend of the show, October 13 and 14, Joëlle will do con sketches at home. What’s that mean? It means that she will do one sketch an hour, the way she would at the show: black-and-white drawings on standard sized paper. Con prices will apply. Note: You do not have to be an NYCC attendee to participate.

There are eight slots for Saturday, six for Sunday, so fourteen people in all can get a con sketch. One per person!

$50 for the first character, $10 for each additional character, plus $6 for postage. Payment upon signing up. Examples of the kind of sketch you can expect are here and here.

Contact joellejonesart[a]gmail.com and/or golightly[a]gmail.com

In addition to the sketches, we will be selling autographed books:

·      12 Reasons Why I Love Her - $15
·      Spell Checkers vol. 1 - $12
·      Spell Checkers vol. 2 - $12
·      Have You Seen the Horizon Lately? 
       (prose novel by Jamie, cover/two spot illos by Joëlle) - $20

Joëlle Solo Books

·      House of Night #1 - $1
·      House of Night #4 - $3
·      House of Night #5 - $3
·      House of Night hardcover - $15
·      Madame Xanadu #19 - $3
·      Madame Xanadu #20 - $3
·      Token (last copy) - $10
·      Troublemaker HC, vol. 2 - $18
·      Ultimate Spider-Man #150* - $6

Joëlle’s vintage ad prints are also available. See here for pricing.

Jamie Solo Books

·      “Chevelu” self-published prose short story - $3
·     Cut My Hair (last copy; discounted for condition) - $10 [sold!]
·      It Girl and the Atomics #1 (first print) - $3
·      It Girl and the Atomics #2 - Allred cover - $3
·      It Girl and the Atomics #2 - Cooke cover - $3
·      It Girl and the Atomics #3 - $3
·      I Was Someone Dead - $10
·      Love The Way You Love: Side A (only two copies left) - $12
·      Love The Way You Love: Side B - $12
·      Put the Book Back on the Shelf: A Belle & Sebastian Anthology* (last copy) - $20
·      Unite & Take Over: Stories Inspired by the Songs of the Smiths, vol. 2* - $12


Book orders come with a $6 shipping charge, as well, which means a book and a sketch has a $12 shipping charge.

Jamie is also available for writing commissions. Find out more... 

Note: Books marked with * indicate an anthology, and so Jamie or Joëlle only contributed a story to the book, they did not do the whole thing.

____


Thursday, October 04, 2012

TEARS ON FRESH FRUIT

NEW IN THEATRES...



* Bill W., a documentary about the man behind Alcoholics Anonymous

* Chicken with Plums, Vincent Paronnaud and Marjane Satrapi's disappointing follow-up to Persepolis. 

UPDATED TO CRITERION CONFESSIONS...

* Eating Raoul, the cult comedy of the 1980s is a tepid retro pick for the 2010s. (Also posted at DVD Talk.)

* Women of the Night, Kenji Mizoguchi's tragedy of post-War Japan.

THIS WEEK IN BD/DVD REVIEWS...

* Bird of Paradise, a pre-Code picture from King Vidor, indulging in island fantasy cliches.

* Black Sunday, Mario Bava's 1960 horror debut is spooky and sexy.

* Cinderella, Disney's animated fairy tale comes to Blu-Ray. It looks marvelous, even if it is one of the studio's more middling efforts.


Current Soundtrack: Extended versions of Prince & the Revolution songs

e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich

Saturday, September 29, 2012

WRITING DOODLE: RASPBERRIES

The "Daily Doodle" concept is intended to warm up my creative engines, and is essentially free writing, poetry or prose, usually accomplished in under an hour with a minimum of corrections. From time to time, I will post the results here.

In some cases, the piece will also be a special commission, prompted by a particular buyer. Readers can still custom order their own quick short-short stories: details here.


*


They had pulled off the hit six hours ago, and the body was starting to smell.

Chester had been left behind to watch over the corpse because he was the one who had forgotten the tarp. Now there was nothing to wrap the dead man up in, and his blood was congealing on the floor. It looked like glass candy, like the fake food in a tacky window display. Anyone have a hankering for raspberry jelly?

The thing was, Chester remembered grabbing the tarp. He knew his job. Getting rid of the victim is priority one. Getting the right tools is automatic, like locking the door when you leave the house. Okay, sure, you don't remember doing it that morning when you left, but you know you did it. You just do. Chester's only mistake today was letting them leave him alone. It shouldn't take no six hours to get the tarp.

He hadn't moved from his chair since the other boys had left. It was like he was stuck there in a staring contest with the deceased. The first to blink loses. Of course, Chester still had a gun and the other guy didn't. If that fellow blinked, he'd take two more slugs, one for each eye.

But then it made no sense to stay there stuck in place like that. It wasn't as if he'd give away his position to anyone if he got up. Like the cops were just waiting to see if someone moved before they'd have probable cause to break down the door. Come to think of it, what about the cops? If Chester was being set up to take the fall, it would only be a matter of time before a badge came knocking. Someone drops an anonymous tip, the frame job is done. The gunman got up and crossed the room to the window. He pushed the curtains back with the muzzle of his .45 and peeked out. He scanned the streaks for anyone that looked out of place. Only problem was, this wasn't his neighborhood, so everybody looked out of place to him. He didn't belong, so no one belonged. It wasn't a very good part of town anyway, that's why someone like the dead man lived there. The only obvious choices would either be familiar to Chester or wearing a uniform.

What was it? What was the game here? Were they testing Chester's mettle? There was that story going around that he had run out on his last job, but that wasn't true. He had been taking a leak and he heard the cops roll up. He was trying to get around them, to get to the car so he could have it ready to get the other men out of there, but they got pinched, so there was no reason to stick around. It's possible they were trying to see if he'd stick around now.

Chester supposed circumstances could have been such where the guys got derailed in some similar fashion on their way to get the tarp. A short trip can become a long trip the same way a sure thing can metamorphose into a disaster. If not that, then what were they waiting for? The next guy to come through that door was either going to help him or kill him, there were no other options as Chester saw it. Maybe they were making him wait longer in the hopes he'd get nervous. All the while the corpse lay there in a puddle of its own gooey syrup.

He was determined not to let it go that way. He would not be dulled by nerves; Chester would be sharpened. Like his mind was a blade and his anxiety a whetstone.

The dead man had nothing in his apartment that would be helpful. His shower had no curtain, his bed sheets were worn thin. Chester took a calculated risk. He left the apartment. As quickly as he could, he ran downstairs, taking three at a time, heading for the basement. He rummaged through the tenant storage, and found an old sleeping bag in with some dusty camping equipment. He hauled it back upstairs, cautious to scope the situation in the upstairs hallway. No one had returned yet, he was still alone with the dead man.

Chester unzipped the sleeping bag and spread it out flat on the floor. He then rolled the body into it, breaking the corpse from its excretions. The dried blood cracked and tore, more like old taffy than glass or crystal. When the body was inside, he closed up the bag around it, zipping it all the way around, locking the stinky meat inside. The cleaning supplies they had brought were still there, so he made fast work of the stains on the floor. He used a paint scraper to chip the hardened blood from the tile. If this was all some weird misunderstanding, he'd show initiative, he'd be ready.

Once that was done, he got back in the chair. He hefted the sleeping back up so it lay across his lap. It was awkward and heavy, but it was a necessary discomfort. Chester had turned so he faced the door.

Another hour passed, and Chester grew tired. He began to nod off. He had small dreams about big things. A picnic on the side of a mountain, pancakes with pomegranate syrup, which he squeezed straight from the hard fruit with his bare hands.

Chester's head jerked up. There was a sound at the door. Someone was fiddling with the handle. Chester moved fast, lifting the body from his lap and sitting it up, laying the length of the sleeping bag over himself. It was his full-body shield in more ways than one.

The door burst open. The other men fired first. Their guns fired faster. The dead man took the hits. Fuzz from the inside of the sleeping bag danced in the air, pushed around by the rush of bullets. Chester returned fire, shooting blind from behind his covering. He kept pulling the trigger until the clip was empty. It was only then that he realized there was no more return fire, that the room was quiet.

He had done it! Chester had made a stand and he had won! They had doubted him, but they would know now. He was the real thing, a genuine thug. Chester pushed the dead body off himself and stood to claim his victory.

The bullet caught him right between the eyes. Chester had a second to register. He had gotten one of the men, but not the other. He had only gotten halfway there.

And now Chester was all the way dead.

Current Soundtrack: School of Seven Bells, Ghostory



e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich


Friday, September 28, 2012

WRITING DOODLE: LONGEST NIGHT


The "Daily Doodle" concept is intended to warm up my creative engines, and is essentially free writing, poetry or prose, usually accomplished in under an hour with a minimum of corrections. From time to time, I will post the results here.

In some cases, the piece will also be a special commission, prompted by a particular buyer. Readers can still custom order their own quick short-short stories: details here.


Today I used a Japanese proverb and a 1950s fashion photograph, both found on Tumblr, and tried to link them together.

*

"A Japanese legend says that if you can't sleep at night it's because you're awake in someone else's dream."

Jake was not surprised to see the clock read 3:17. He had gone to bed around half-past midnight, and this sleepless night had been one where every minute was felt, every second clutching the pillow and turning this way and that was agony. He had read right up until the point he turned out the lights, hoping that the activity would help him find slumber. His eyes had gone blurry, his head had grown heavy. Maybe if he had a clapper to turn off the bedroom lights without having to get up, it might have made a difference. Is it possible the two-foot journey from bed to light switch was enough to undo all that effort?

Other nights he'd lose time. Two, three hours would pass, but he wouldn't be surprised to see the clock had advances so far, he'd have to wonder if he had really been awake so long. The best he could figure was he actually had fallen asleep and it just didn't feel like it. When he'd think hard enough, he'd realize that he had dreamt during those blackouts, and those dreams were bad, they didn't help. One night every time he went to sleep for just a minute, he'd go into a place where he was trying to hang himself, only to get interrupted having to empty a cat's litter box that would never not be full. Neither task was desirable, but at least the hanging had a final outcome.

When Jake heard some noise outside his bedroom window, it almost felt as if someone had given him a gift. He had an excuse to get up, to no longer force himself to lie there and try to summon the blackness. Jake went to the window and parted the curtains and looked outside. There, on one of the plastic picnic tables in his apartment building courtyard, a woman with a netted half-veil over her eyes and diamond earrings was holding a high-heeled shoe upholstered in light pink felt. She was rubbing her chin over the velvety surface, the way a feline does to mark objects as its own.

Jake pondered who this woman was and what she was doing there. He knew his neighbors, and she was not among their number. She must have sensed his staring, as she turned her head slowly to see who he was in kind. The woman rose from the table and walked toward him, wearing only one shoe, a pink pump to match the one in her hand. Her steps were off-rhythm. One-up, one-down.

When she got to the glass, the woman leaned real close. Had the window not been there, their noses would have touched. "Could you not sleep either?" she asked.

"No," he said. "I don't think so. What are you doing here?"

"That's what I'd like to ask you," she said. "Why are you peeking into my apartment?"

"I'm not. I'm peeking out of mine."

"Is that so?"

The woman raised the shoe above her head, holding it like a hammer, and then swung, plunging the heel into the glass. It pierced the pane perfectly, causing a zigzagged spider web to grow in a circle around the point of impact. Jake jumped back, but it felt like he jerked forward. His head landed on the pillow. He was still awake. The clock said 3:21. Had he really been up that long?


Current Soundtrack: Soulsavers, "Longest Day;" Black Radio, "Always Shine (feat. Lupe Fiasco & Bilal)

e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich




THE SLEEP OF THE JUST

I wanted to write a quick post thanking everyone who came out to see The Big Sleep last night, and to the Hollywood Theatre and Oni Press for putting the whole thing together. It was really crazy to see my name on the marquee and to sit in front of the movie screen and talk shop with Tom Shimmin. They even let me run the before-screening music. We used my Spotify playlist "Torch Songs/Jazzy Ladies."

Turnout was pretty great. I got to even see someone I went to high school with (hi, Heather!) that I haven't talked to face to face since, well, probably since high school. Joëlle and I signed books before and after, and people seemed generally enthused by The Big Sleep. Seeing it twice in two days did nothing to dull the film for me. It was amazing seeing it projected large, and the disc the studio sent looked remarkable.

Interesting programming note: we weren't aware of it, but the cut we received was actually the rare "preview version." This was the one shown when the film was first completed in 1944, but then was later re-edited and had scenes removed and added for the 1946 theatrical release. It was previously available on the DVD that was released over a decade ago as a bonus. Not sure why they sent that one, and I am kind of surprised there is such a clean print of it to send out. If you're curious about the differences, IMDB has a comprehensive rundown of the changes.

Photo by Tom Shimmin

Photo by Me

Photo by Robert Fortney

In preparation for the show, Joëlle Jones and Terry Blas both did drawings of characters from The Big Sleep, with Joëlle drawing her own version of Philip Marlowe and Terry giving us a lovely Lauren Bacall.


Again, a great night with so many great people. I feel humbled and blessed.

Now it's back to the real world for me. I've got laundry to do.

Current Soundtrack: Grimes, Visions

 


CRIME & THE CITY SOLUTION: Dangerous Desire, Week 3


It's a big weekend at the NW Film Center, with the last batch of "Dangerous Desires: Film Noir Classics." I haven't seen the Friday and Sunday selections, but I definitely want to catch Max Ophüls' Caught and Jerry Hopper's The Naked Alibi.

I did, however, watch Saturday's films for my festival overview at the Portland Mercury. My longer reviews are posted here.

HIGH WALL (1948), dir. Curtis Bernhardt


A veteran (Robert Taylor) fresh back in the U.S. is accused of killing his wife. Only he can't remember and he has some sort of brain condition that may be making him crazy. In the asylum, a kind doctor (Audrey Totter) helps him regain his memory, and gets further tangled in his mess when he escapes to try to catch the real killer. Pretty standard stuff, though the sequence where he starts to remember the night of the murder has some great POV shots of him reaching for his wife's throat. Otherwise, not much in terms of a distinctive style, and lacking the snappy writing of the best noir.

[Screening Saturday, September 29, 7pm]

99 RIVER STREET (1949), dir. Phil Karlson


This taut, multi-layered thriller is a real treat. John Payne plays Ernie Driscoll, a boxer whose last fight was his real last fight. A bad beating has permanently damaged his eye, and now he drives a cab. His wife (Peggie Castle) is fed up with the drab life, and Ernie is at his wit's end. Unfortunately for him, his night is about to go horribly wrong. Discovering that his wife is cheating on him with a jewel thief (Brad Dexter) is just the start. Before morning, Ernie will be framed for murder, wanted for beating up a theatre troop, and blind to the love that's right in front of him, the caring actress Linda (Evelyn Keyes). Lots of criss-crossing lines tighten a web around Ernie, leading an exciting foot chase and a chance at hand-to-hand redemption. Director Phil Karlson keeps a steady hand throughout, never losing control of his plot. 99 River Street's cynical streak gives way to romance and an affirmation that folks can be good and decent and still survive. A noir with a well-earned happy ending.

[Screening Saturday, September 29, 9:15pm]

Current Soundtrack: The xx, Coexist



e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich



TIME FALLS WANKING TO THE FLOOR


NEW IN THEATRES...



* Looper, starring Joseph Gordon-Levitt as a time-bending hitman. From the director of Brick and The Brothers Bloom.

UPDATED TO CRITERION CONFESSIONS...

* Le visiteurs du soir, the devilish 1942 medieval fantasy from Marcel Carne.

THIS WEEK IN BD/DVD REVIEWS...

* The Dark Mirror, a psychological thriller from Robert Siodmak, starring Olivia De Havilland as twins, one of whom may be a murderer.

* Man-Trap, a post-noir love triangle gone wrong.

I don't think that's director Edmond O'Brien, so is that just some crazy dude that wandered onto the set?

* My Son John, Leo McCarey's 1952 propaganda drama. "Mama, I think our boy may be a Commie."

* The Salt of Life, another charming slice of Italian life from the director of Mid-August Lunch.

* Windjammer: The Voyage of the Christian Radich, a fluffy 1958 documentary noted for its use of the Cinerama widescreen format--which the Blu-Ray does an awesome job replicating.

Current Soundtrack: No Doubt, Push and Shove




e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich

Tuesday, September 25, 2012

I LOVE YOU, BUT I'VE CHOSEN DARKNESS

Don't forget, this Thursday, Oni Press and I will be hosting a screening of The Big Sleep at the Hollywood Theatre in Portland. The movie will be preceded by a q&a and then followed by a short signing.

In anticipation of this, Oregon Live, the website for The Oregonian, had a small chat with me, the text of which is now available to read. It should serve as a taste of what we'll talk about at the event.

Please come down!


Current Soundtrack: Lavender Diamond, Incorruptible Heart


 

Sunday, September 23, 2012

DO YOU HAVE LOVE FOR HUMANKIND?

You should totally be checking out Mike Norton's twitter feed this weekend, as he's posting sketches he's doing at the comic book convention in Cincinnati. Including these two of It Girl!



Current Soundtrack: CocoRosie, "Tearz for Animals"




Thursday, September 20, 2012

IT'S A LOT LIKE LIFE


NEW IN THEATRES...



* Compliance, dramatizing real-life events about extreme prank calls made on fast food restaurants and their employees, a film to test your ethical fortitude.

* The Master, Paul Thomas Anderson's latest bid for a slot amongst the American classics of the 1970s. I'd say he got there.

UPDATED TO CRITERION CONFESSIONS: 

* Osaka Elegy/Sisters of the Gion, the first two films in the Eclipse boxed set Kenji Mizoguchi's Fallen Women

* Quadrophenia, the Who's best album turned to cinematic fiction.

THIS WEEK IN BD/DVD REVIEWS...



* Battle Circus, a 1950s Korean War movie in which Humphrey Bogart, I kid you not, provides the template for Hawkeye Pierce.

* Bored to Death: The Complete Third Season is unfortunately also the last of this literary comedy with Jason Schwartzman.

* Damsels in Distress, Whit Stillman's return to cinema proves he is as charming and anachronistic as ever. Plus, Greta Gerwig!

* Korczak, Andrzej Wajda's devastating drama about a doctor in the Warsaw ghetto in WWII.

* The Loved Ones. Inventing a new genre: torture prom. Absolute trash.

* Macbeth, Orson Welles' skewed version of Shakespeare finally makes it to DVD.

* Pursued, an excellent melding of western and romance starring an appropriately fatalistic Robert Mitchum.

* Secret Beyond the Door, in which Fritz Lang attempts to do a cover version of Hitchcock's Rebecca.

* Young Justice: Season One, Part Two, the second half of the first season of this awesome cartoon series showcasing DC Comics' teenage superheroes.


Current Soundtrack: No Doubt, "Settle Down"






e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich

CRIME & THE CITY SOLUTION: Dangerous Desire, Week 2

It's the second weekend for the NW Film Center's "Dangerous Desires: Film Noir Classics," running Thursday to Sunday this time. It's the Alan Ladd/Veronic Lake weekend, to boot, and you should definitely go out Friday and Saturday for The Glass Key and The Blue Dahlia.

You can still read my festival overview at the Portland Mercury, but below are two mini-reviews I wrote as part of my note-taking process for the piece.

PITFALL (1948), dir. Andre de Toth



A fairly average crime picture, offering a different take on the Double Indemnity scenario. Dick Powell plays the insurance investigator who this time gets involved with the femme fatale after the initial crime that brings her to his intention. Lizbeth Scott is Mona. She's in possession of goods paid for with stolen money by the man Powell has to take down. (The guy is already in jail for having pulled the job, which amounts to robbing his employer.) Powell is a family man who is bored with his life. Raymond Burr plays the heavy, a private dick who was originally hired to find Mona. He's a real creep who fell for her himself, and so he makes trouble when he ends up on the bottom.

Detour could use a little more heat. It's well-acted and nicely constructed, but also a bit conventional. Strangely, it builds to a rather pitiful state. Powell's character does't get much of a showdown; rather, what makes the last 15 minutes interesting is how the women--including Jane Wyatt as the insurance man's wife--rise to the occasion and prove they're tougher than their fellas.

[Screening tonight, September 20, 7pm]

THE WINDOW (1949), dir. Ted Tetzlaff


A "boy who cried wolf" tale based on a Cornell Woolrich short story, with Disney star Bobby Driscoll (soon to be the voice of Peter Pan). Tommy is a kid who likes to tell tall tales, and his lies are well-known enough that, when he spies a murder through the window of his upstairs neighbor, no one believes him. This efficiently paced thriller makes the most of the scenario, with Tommy digging himself deeper the more people he tells. The climactic chase scene in intense, with a great use of space by director Ted Tetzlaff. Driscoll and the rest of the cast are strong, and The Window stands as a testament of how a good storyteller can do a lot with very little.

[Screening September 23, 7pm]

Current Soundtrack: Kanye West & Various Artists, Cruel Summer




e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich

A BOY AND A GIRL TALK

Great interview with Natalie Nourigat over at Spandexless, where she discusses her current and future work, including a little bit about our book A Boy and a Girl, filled with thinly veiled passive-aggressive denigrations of my character. She's so horrible!

(Except not really.)

Go read it.

Oni Press has still only released art you've already seen, but I like this sketch that Natalie sent me early on, so what the hell...a new tease!


Current Sountrack: Fun., Aim and Ignite




Wednesday, September 19, 2012

WRITING DOODLE: ANTIQUING


The "Daily Doodle" concept is intended to warm up my creative engines, and is essentially free writing, poetry or prose, usually accomplished in under an hour with a minimum of corrections. From time to time, I will post the results here.

In some cases, the piece will also be a special commission, prompted by a particular buyer. Readers can still custom order their own quick short-short stories: details here.


This particular story came from watching two workers cleaning out the apartment next door to me. From what I can tell, they didn't unleash anything particularly scary in the digging. I did see a pair of my old shoes in amongst the stuff tossed aside, however, which was weird.


*


The two men had been at in for over an hour, and they still were only halfway done. The apartment’s tenant had been evicted because the amount of stuff he had in his flat exceeded the parameters of his lease. He had left the previous week after three different U-haul trips. That there was still so much junk to sift through gave the laborers an idea of just what kind of hoarding had led to the old man being booted. One of the pair had spent most of his time breaking down cardboard boxes for recycling. There must have been a stack of twenty so far. Even with a utility knife, it was tedious work. Slice, collapse, slice, collapse.

As he did this, the second man was putting what he could into garbage bags, bringing them out one after the other. Shoes with no mates, books water-damaged beyond the point of being readable, old clothes and blankets covered in mildew and mold, an electric desk lamp, luggage, an audio speaker. If this is what he had discarded, the mind could only boggle at what treasures he had decided to take with him. One bedroom, kitchen and bath, stacked to the ceiling with junk. Where had the man even lived amongst all of this? Did he sleep on piles of old suit jackets? Use this empty fuel canister as a chair? He had a small round-top table, but it had two rectangular laundry baskets on top of it, one inside the other, and the top one full of empty paper bags. Or, more to the point, paper bags full to bursting with folded paper bags.

They wore masks and gloves to avoid breathing anything toxic or getting poked with anything sharp. There was still the fear that something might fall on their heads, so they worked from the top of stacks and down toward the floor. As they went, the bigger danger seemed to be what they might find behind these towers of things. Black mold covered one wall that had been obscured by milk crates and plastic buckets and magazines. They started throwing containers out without emptying them, just toss the whole thing in the dumpster. The ghosts of countless unidentified lives could be buried in any one of these dresser drawers that had long since lost their dresser.

“It’s like Antique Roadshow stopped at an insane asylum,” one of them quipped.

The jokes stopped when they got to the closet. Inside, there was another door, a blank surface with a knob and hinges but attached to nothing. It stayed standing thanks to a dent that the corner of the door had made in the wall, propped up with the most tenuous of connections.

Terry held the door on either side and pulled it out, easing it toward his co-worker, who took the bottom so they could carry it out of the apartment lengthwise. The first man was waiting for the other to go, but Bill had stopped. He was staring at the man at the top of the door. No, not staring at, but staring through. Which is what shook Terry’s nerves.

“What’s the deal, man?”

Bill flicked his eyes upward, indicating Behind you.

Though afraid to look, Terry had no choice. What fear of theirs had been realized? Was this day’s labor worth a day’s pay?

At the back of the closet, there was a large spider web. It spanned the two walls and touched the ceiling, sprawling back over the interior shelf. Its bottom was only about three feet from the floor. Had a man walked into such a web, it would entangle him immediately and completely.

The spider sat at the center, as if it had been placed there. It was mostly black, its flesh mottled with yellow spots. It didn’t move, but there was a feeling in the air that it was alive. The arachnid had presence. They were in its domain.

“Jesus, that’s creepy,” Terry said.

It wasn’t just the spider, though, that sent a chill through his body. It was all the things that hung along the web, discarded objects strung along a dead clothesline. There were several husks from the spider’s meals, which were not really surprising, but these were surrounded by things that should not be there. A fountain pen, a child’s sippy cup, a pocket watch, a bit of string, a three-pronged adaptor for an electrical plug, a charm bracelet--all things that must have found their way into the home with the other detritus, only to be stolen by this added visitor. How had the spider gotten here? Did he stowaway in one of the hoarder’s special finds?

Terry and Bill were both holding their breath, waiting to see if the creature would react. In the quiet, they could hear the watch still ticking.



Current Soundtrack: Coconut Records, Goats (Original Score)



e-mail = golightly at confessions123.com * Midi-Confessions123 * Criterion Confessions * Last FM * GoodReads * The Blog Roll [old version] * DVDTalk reviews * My Books On Amazon

All text (c) 2012 Jamie S. Rich

Tuesday, September 18, 2012

ALWAYS LOVED A FILM: Jamie S. Rich presents THE BIG SLEEP

Very excited about this! Oni Press proposed this event to me in the spring, and it's cool to see it coming together. I created a Facebook page for those who might be interested in coming out. This now will only fuel my dream to one day curate my own film festival.

We'll be selling books after, and fingers crossed, I might even get Joëlle to show up.


A FILM NOIR NIGHT WITH JAMIE S. RICH ON 9/27





Join Oni Press and the Hollywood Theatre next Thursday, September 27th, 2012, as Jamie S. Rich
presents Howard Hawks’ The Big Sleep and discusses how it inspired his graphic novel You Have Killed Me. Admission is $7. Start time is at 7:00pm.
Moderator Tom Shimmin (Marketing Coordinator at Oni Press), will be asking the questions, getting Jamie to reveal his deepest and darkest secrets behind his title You Have Killed Me. No topic will be off-limits and the audience will be lucky if they actually talk about anything related to the book! With these two bantering on stage, though, we promise you will not walk away disappointed.
The Big Sleep is a 1946 film noir classic that reunited director Howard Hawks with stars Humphrey Bogart and Lauren Bacall. Bogart plays private detective Philip Marlowe who is hired by the wealthy Sternwood family to investigate a blackmailer. While working the case he falls for the eldest daughter, Vivian Rutledge (Bacall), which further complicates the case as it gets gets more mysterious and dangerous. In 1997, The Big Sleepwas added to the National Film Registry for its cultural significance.
This is the perfect way to spend a Thursday night!
The Hollywood Theatre is located at 4122 NE Sandy Blvd., Portland, OR 97212. For more details –http://goo.gl/2xKfH

Current Soundtrack: Christina Aguilera, "Your Body"


Ask Santa for IT GIRL & THE ATOMICS #5!

Solicited for December...



IT GIRL & THE ATOMICS #5
story JAMIE S. RICH
art MIKE NORTON
cover MICHAEL & LAURA ALLRED
DECEMBER 12
32 PAGES / FC / E 
$2.99
“DARK STREETS, SNAP CITY” Part Five
It Girl has seen the true face of her enemy, and she’s confronting LaLa Wah-Wah on the villain’s own turf: inside the video game dimension! It’s a dangerous showdown, but with the Atomics rallying behind her, It Girl can’t lose. Concluding the first arc of Image’s newest hit series.

Current Soundtrack: The Killers, Battle Born




Friday, September 14, 2012

CRIME & THE CITY SOLUTION: Dangerous Desire, Week 1


The four-week festival "Dangerous Desire: Classic Film Noir" starts at the NW Film Center this weekend, and it's a pretty incredible mix of rarities. Of the dozen or so films, I had only seen two prior to getting screeners. You can look at the whole schedule on the Film Center site.

I covered the fest for the Portland Mercury, and you can read my take on the collection over at their site. While I was writing the article, though, I also wrote short reviews of some of the films so I could keep them straight. I will post those here on the weekends when the specific films run. Tonight's opener, The Prowler, is a must-see. Sadly, I didn't get to see The Hunted, screening tomorrow, and I'll be at some jerk's wedding instead.

THE PROWLER (1951), dir. Joseph Losey


"You're a real cop, aren't you? You want everything for free."

A dirty little noir with a great opening sequence. It's no wonder author James Ellroy gets a special thanks for aiding in the restoration of this movie, as it only makes sense he'd dig a film that begins with someone peeping through Evelyn Keyes' bathroom window. The twist is that the unseen voyeur is not the bad guy here, but one of the cops who comes to investigate. Webb (Van Heflin) takes a liking to Susan (Keyes) and senses she is bored in her quiet life as the spouse of a radio DJ. He manipulates her into an affair, and then manipulates things further to get the husband out of the way. (On the radio, the man is voiced by blacklisted scribe Dalton Trumbo, who also wrote the script under a false name.) It's interesting how though Webb's crimes are meant to better their lives, their situation becomes increasingly more desolate, leading to a rather bleak fate for Webb. In the film's final images, he is reduced to a tiny figure struggling in a vast wasteland. The Prowler is good fun, and Heflin makes for a surprisingly effective creeper.

[Screening September 14, 7 pm]

NOBODY LIVES FOREVER (1946) dir. Jean Negulesco


Working with the classic noir trope of a man trying to outrun a dangerous past for a life with the woman who will make it all worth it, John Garfield turns in a fine performance as a natural-born gangster turned war vet who finds it's not so easy to slip back into the role of con man. Known for his knack with the ladies, Nick is brought in on a job to seduce a rich widow (Geraldine Fitzgerald, who can be described as a "handsome woman" without it being a pejorative or euphemism). Naturally, he falls for her, but his attempts to extract himself from the situation are met with skepticism by his criminal cohorts. George Coulouris is particularly memorable as a menacing hood on his last chance. He is hunched and shambling, almost like a Hunchback or a Dickensian villain. There is also a rather surprising sequence at the San Juan Capistrano mission, complete with swallows, the gentility of which is off-set by the tense finale.

[screening September 16, 7 pm]

Current Soundtrack: Pet Shop Boys, Elysium




Thursday, September 13, 2012

SHE OWNS THE STREETS

Here are some of the first reviews of It Girl and the Atomics #2. Available at comic book shops and on Comixology.



* Tony Guerro on Comic Vine - "Jamie S. Rich is doing what I didn't think was possible. He's taking the wonderful characters that Mike Allred has created and capturing their personalities and essence."

* The Outhousers

* Samantha Moyes at Pendragon's Post - "It Girl and the Atomics is the Josie and the Pussycats of indie comics."

* Red-Headed Mule

* Uproxx

* Wear Pink Wednesdays

Also, a #1 review I missed:

* I Smell Sheep

Current Soundtrack: The Raveonettes, Observator




Monday, September 10, 2012

HERE SHE COMES NOW

Hot on the heels of my earlier post, CBR has posted an advance preview of It Girl and the Atomics #2. Check it out!


Current Soundtrack: Still the V.U.

THERE SHE GOES AGAIN


It's a big week. Both the second print of It Girl and the Atomics #1 and the very first printing of It Girl and the Atomics #2, complete with two covers, will be hitting the stands on Wednesday.

We got a pretty great review from the Onion's AV Club last week that got me pumped up all over again. Check it out.

It Girl is bored. Gifted with the ability to take on the essence of whatever she touches, she just stays inside and plays videogames, occasionally gracing her hand along a plastic bag so she can sail along the waves of ennui. It’s no surprise that a superhero created by Michael Allred would headline a vibrant, charming ongoing series, but It Girl And The Atomics #1 (Image) is a bit more impressive considering Allred’s only involvement is in providing covers. Writer Jamie S. Rich and artist Mike Norton do great work capturing the imagination and irreverent humor of Allred’s Madman comics, and they create an easy entry point for new readers into It Girl’s wacky world. Fans of Bryan Q. Miller’sBatgirl series will appreciate Rich’s interpretation of a superheroine who doesn’t take her job too seriously, and It Girl is the type of joyful superhero title of which there are few at DC or Marvel. Mike Norton is becoming one of the busiest pencillers in comics between Revival, It Girl, and his Eisner Award-winning webcomic Battlepug, but his heavy workload hasn’t had a negative impact on his artwork yet. With an animated style reminiscent of The Venture Bros., Norton’s pencils are light and expressive, keeping consistent with the look Michael Allred has established for these characters.
We also got a nice review for #1 from International House of Geek: "It’s a cute start and I’m intrigued to see where the story goes from here."

And Paul Mirek has similar things to say. An excerpt "This first issue serves to introduce the unfamiliar (like me) to It Girl, a seemingly air-headed bombshell with the power to take on the properties of anything she touches. We’re also given brief intros to some of It Girl’s colleagues, including the unstable Dr. Gillespie Flem, who provides the hook for the series when he encourages It Girl to break out of her current ennui by letting him test his sci-fi inventions on her. With a hilarious premise and a team of dedicated and idiosyncratic creators, this series seems to be off to a great start."

Current Soundtrack: The Velvet Underground, Chronicles